Melissa A. Dailey
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N. Katherine Hayles, "Hyper and Keep Attention: The Generational Divide in Cognitive Modes," Profession (2007): 187.
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2
Huston Diehl, "Horrid Image, Sorry Sight, Fatal Vision: The Visual Rhetoric of Macbeth," Shakespeare Studies 16 (1983): 191.
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3
.Huston Diehl, "Horrid Image, Sorry Sight, Fatal Vision," 193.
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4
Huston Diehl, "Horrid Image, Sorry Sight, Fatal Vision." 194-195
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5
Jacqueline E.M. Latham, "The Imagery in Hamlet - Acting," Educational Theatre Journal 14 (2003): 199-200. [am I right about the italics here?}
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6
Thomas Cartelli, "Banquo's Ghost: The Shared Vision," Theatre Journal 53 (1983): 389.
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7
Shakespeare, William, Hamlet, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 2.2. 578;117
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8
Shakespeare, William, Hamlet, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 3.2 .76-77;141
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9
Yasuhiro Ogawa, "Hamlet and the Vision of the Grotesque," Grotesque in Art and Literature, ed. James Luther Adams and Wilson Yates (Michigan: Wm. B. Eerdmans Publishing Co., 1997). 193-226.
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10
.Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 1.6. 75-78; 35
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11
Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992).2.2. 16-17; 55.
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12
Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992).2.2. 69-71; 59.
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13
Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 1.6. 75-78; 35.
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14
Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 2.2. 16-17; 55.
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15
Shakespeare, William, Macbeth, ed. Barbara A. Mowat and Paul Werstine (New York: Washington Square Press, 1992). 2.2. 69-71; 59.