Alan K. Frishman
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1. Molly Haskell,
From Reverence to Rape
, 36.
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2. Mary Ann Doane,
Femmes Fatale: Feminism
,
Film Theory
,
Psychoanalysis
, 226.
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3. Doane, 19.
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4. Doane, 22.
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5. Doane, 1.
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6. Sigmund Freud, "Femininity,"
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, vol. 22, ed. James Strachey, London: Hogarth and the Institute of Psychoanalysis, 1964, 113.
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7. Caesar Lombrosco,
The Female Offender
, New York, D. Appleton and Co., 1895, 153.
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8. Linda Hart,
Fatal Women: Lesbian Sexuality and the Mark of Aggression
, 78.
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9. Hart, 368.
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10. Haskell, 5.
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11. Haskell, 29.
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12. Haskell, 10.
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13. Ann Jones,
Women Who Kill
, New York, Fawcett Columbine, 1980, 6.
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14. Jones, 6.
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15. Haskell, 21.
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16. Haskell, 30–1.
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17. Doane, 236.
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18. Anita Loos,
Kiss Hollywood Good–Bye
, as quoted in Marianne Sinclair,
Hollywood Lolita: The Nymphet Syndrome in the Movies
, 5.
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19. Haskell, 15.
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20. Haskell, 13.
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21. Doane, 243–4.
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22. Marsha McCreadie,
The Casting Couch and Other Front Row Seats: Women in Films of the 1970s and 1980s
, 12.
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23. Hazel V. Carby, "White Woman Listen! Black Feminism and the Boundaries of Sisterhood." In
The Empire Strikes Back: Race
Carby,
Hazeland Racism in 70s Britain
, London, Hutchinson and the Centre for Contemporary Cultural Studies, University of Birmingham, 1982, 115.
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24. Doane, 210–11.
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25. Sander L. Gilman, "Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth–Century Art, Medicine, and Literature." In
Critical Inquiry
12.1 (Autumn 1985).
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26. James Hillman, "Notes on White Supremacy: Essaying an Archetypal Account of Historical Events." In
Spring
1986, 38–9.
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27. Richard Dyer, "White" in
Screen
vol. 29 no. 4 (1988), 64.
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28. Doane, 217.
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29. The "fears of excessive white female sexuality which are particularly characteristic of [the] 1950s" (Doane, 238) is responsible for the change in Sarah Jane's choice of occupation to establish her financial autonomy: In the 1934 version (her name in that film is Peola and the role is played by Fredi Washington, a real life mulatta) she's a shop clerk; in the 1959 version she's an exotic dancer.
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30. Doane, 240–1.
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31. Donald Bogle,
Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History Blacks in American Films
, 291.
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32. Bogel, 59.
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33. Bogel, 46–7.
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34. Patricia J. William, "Attack of the 50–Ft. First Lady: The Demonization of Hillary Clinton," in
The Village Voice
, Jan. 26, 1993, 37.
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35. Barbara Fields, "Slavery, Race and Ideology in the United States of America." In
New Left Review
no. 181 (June 1990), 112.
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36. Fields, 116.
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