Paul E. Turtola
Web sites on Detective Fiction:
http://www.sasked.gov.sk.ca/docs/artsed/g6arts_ed/g6rmu6ae.html#proc3
http://nowtv.com/mystery/
http://nowtv.com/mystery/links.htm
Web sites on Interactive Theater:
http://www.virtualdrama.com/
http://ece.uwaterloo.ca/~broehl/improv/online.html
http://www.csmonitor.com/durable/1998/10/30/p55s1.htm
http://pages.nyu.edu/~as245/AITG/training.html#CITE
http://pages.nyu.edu/~as245/AITG/issues.html
Web sites on the History of Audiences, Cultures and Aesthetics:
http://www.artsednet.getty.edu/ArtsEdNet/Resources/Sampler/h-1.html
http://www.artsednet.getty.edu/ArtsEdNet/Resources/Aeia/contemp-lp.html
http://artsedge.kennedy-center.org/cs/perfarts.html
http://www.chass.utoronto.ca:8080/~reed/reed.html
REED is an international scholarly project that is establishing for the first time the broad context from which the great drama of Shakespeare and his contemporaries grew. REED examines the historical MSS that provide external evidence of drama, secular music, and other communal entertainment and ceremony from the Middle Ages until 1642, when the Puritans closed the London theatres.
http://www.montevallo.edu/thea/theahis/theahis_2.html
The purpose of this project is to show the highlights of different periods of theatre history, including plays, acting styles, staging conventions, costuming, and playwrights. Web links have been provided so students can find additional information on items of interest. Researched and written by G. Andrew Roberts.
http://artsci.washington.edu/drama-phd/cbeast.html
The East End London Theatre Audience
Twentieth Century Views of London's East End Theatre Audiences
General information on audiences has been summarized from:
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- Ernest Watson's "Sheridan to Robertson, a Study of the Nineteenth-Century London Stage" (Cambridge, Mass.: Harvard University Press, 1926,)
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- "The Command of Audiences" (1926)
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- Erroll Sherson's "London's Lost Theatres of the Nineteenth Century, with Notes on Plays and Players Seen There" (London: John Lane, n.d. First published in 1925,)
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- "Audiences of the Past and Audiences of the Present." Contrasting Views from the Nineteenth Century &
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- #61623; Sir Walter Besant's "At the Play and the Show," on the evolution of London theatrical audiences in general up to 1888
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- #61623; Flora Tristan (1803-1884, French sociologist and feminist) London Journal (1840) on mid-nineteenth century London theatre (including plagiarism, social content of plays, audience make-up etc.)
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End Notes
1 Sukach, Jim "Maps and Treats", Great Quicksolve Whodunit Puzzles, New York, Sterling Publishing Co., 1998 (8)
2 Sukach (9-10)
3 Sukach (10)
4 Sukach (11)
5 Kennedy, Emmet ed. Theatre, Opera and Audiences in Revolutionary Paris: Analysis and Repertory, Westport, Greenwood Press, 1996 (1)
6 Kennedy (1)
7 Matthews, Fred "The New Psychology and American Drama" Heller and Rudnick Ed., 1915, The Cultural Movement, New Brunswick, Rutgers University Press, 1991 (147)
8 Matthews (148)
9 Hoffman, Theodore "An Audience of Critics and the Lost Art of Seeing Plays", Corrigan, Robert W. ed. Theatre in the Twentieth Century New York Grove Press, 1963 (177)
10 Hoffman (178)
11 Hoffman (179)
12 Corrigan, Robert "Theater in Search of a Fix", Corrigan, Robert W. ed. Theatre In the Twentieth Century New York Grove Press, 1963 (23)
13 Schlossberg, Edwin Interactive Excellence: Defining and Developing New Standards for the Twenty-first Century, New York, Ballantine Publishing Group, 1998 (3)
14 Miller, Arthur "The Playwright and the Atomic World", Corrigan, Robert W. Ed. Theatre in the Twentieth Century New York Grove Press, 1963 (35)
15 Schlossberg (18)
