1Hall, Stuart. Essential Essays, 2.
2Hall, Stuart. Cultural Studies 1983: A Theoretical History, 7.
3Hall, Stuart. Essential Essays, 10.
4Flores, Juan. Divided Borders, 89.
5Sound Field. “‘Why Puerto Rican Bomba Music Is Resistance.’” PBS.
6Angela Davis, Blues Legacies and Black Feminism, 5-6.
7Ibid, 7.
8Ibid, 91.
9Ibid, 119.
10Ibid, 25.
11Ibid, 41.
12Alvarez, The Power of the Zoot, 7-8.
13Ibid, 5.
14Kelley, Robin D. G. Race Rebels: Culture, Politics, and the Black Working Class, 163.
15Ibid, 169.
16Ibid, 166.
17Gaiter, Colette. “The Art of Liberation: Emory Douglas and the Black Panther Artists in 1968,” 581.
18Ibid, 567.
19Ibid, 569.
20Ibid, 570.
21Chauncey, George. Gay New York: Gender, Urban Culture, and the Makings of the Gay Male World, 1890-1940, 227.
22Lawrence, Tim. “‘Listen, and You Will Hear all the Houses that Walked There Before': A History of Drag Balls, Houses and the Culture of Voguing,” 3.
23Chauncey, George. Gay New York, 261.
24Ibid, 253.
25Ibid, 5.
26Echols, Alice. Hot Stuff: Disco and the Remaking of American Culture, 147.
27Chang, Jeff. Can't Stop, Won't Stop: A History of the Hip-Hop Generation, 13.
28Ibid, 58.
29Ibid, 60.
